This week on Discord & Rhyme, we strap in for another ride through ’90s indie rock as we discuss Pavement’s beautifully messy third album, Wowee Zowee. Released right as the band was positioned for a possible mainstream breakout, this sprawling, stylistic tour de force was apparently the last thing MTV’s Buzz Bin was looking for in 1995. Over the years, however, fans and critics have come around to the album’s wild, unpredictable twists and turns through gorgeous soundscapes, tossed-off blasts of punk fuzz, country-rock ballads, big power-pop hooks, and stoned weirdness. Special guest (and fellow music podcaster himself) Jeff Blehar joins Dan, Phil, and Rich for a deep dive into Pavement’s eclectic masterpiece.
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This week on Discord & Rhyme: witty, unpredictable talent and natural game. In the early ‘90s, Bobby Diggs, aka Bobby Digital, aka the RZA, served as de facto leader for a nine-piece Staten Island (or Shaolin) collective that changed the face of hip-hop. The Wu-Tang Clan’s rhymes were clever, aggressive, filled with pop culture references, and came at you from all sides, paired with production from the RZA, who preferred to sample empty space and dissonance over conventional hooks. Between 1994 and 1996, the members of Wu-Tang unleashed a whole volley of classic solo albums, and 1995’s Liquid Swords by the GZA, alias the Genius, might be the greatest of all of them. On this episode Rich leads Mike, Ben, and Phil through RZA’s chaotic sound landscapes and GZA’s murderous rhymes tight with genuine craft, both of which helped him realize that hip-hop is one of the greatest things in the entire world.
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My, my, my! Brian Eno is the producer’s producer, so it only makes sense that Producer Mike would eventually get around to him. Eno is renowned for producing classic albums for U2 and Talking Heads, pioneering and naming the genre of ambient music, and composing the seven seconds that comforted Windows 95 users as they learned how to use the Start button. Today, Mike guides Dan, John, and Rich through Here Come the Warm Jets, Eno’s 1974 solo debut, released shortly after Roxy Music proved too small to house both his ego and Bryan Ferry’s. Warm Jets was composed and produced piecemeal in the studio, which Eno saw as its own instrument, and the result is a taped-together masterpiece filled with overdubs (one song contains 27 tracks of piano). It can take some time for the noisy blur of Warm Jets to coalesce into identifiable, hummable pieces, but we’re hoping to help ease you into the madness.
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Progessive metal titans Dream Theater are one of those “love them or hate them” bands that everybody seems to have an opinion on. Phil firmly falls into the “love them” category. On this episode, he and the crew take on one of Dream Theater’s most well-known albums, 1999’s “Metropolis Pt. 2 - Scenes From A Memory”, and get into the nitty gritty about what they like about it and what they don’t like about it. There’s a lot more discord on this episode of Discord And Rhyme than average, as the crew ranges from lovers (Phil) to the more skeptical (everyone else).
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Arguably the rock-geekiest band of all time, Hoboken indie-rockers Yo La Tengo have internalized seemingly every album they've ever heard, and they mix these diverse influences into distinctive and tasty musical stir-fries. Sometimes they're noisy and deliberately sloppy, sometimes they're gorgeous and pensive, but they're almost always engaging, and I Can Hear the Heart Beating as One is simultaneously their most accessible and their most eclectic album to date. It also happens to be Will's favorite album ever, so get ready for a heapin' helpin' of superlatives as he hosts this in-depth look at its 16 songs, along with fellow YLT fans Dan, Mike, and Rich.
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We are commemorating the 50th anniversary of two world-changing events: the Apollo 11 moon landing and the release of To Our Children’s Children’s Children, the Moody Blues’ very best album. At least, that is the opinion of the five of us on this episode, and we did our very best to convey why we love this music with all our hearts. Dense but accessible, spine-chillingly beautiful, and toweringly ambitious, To Our Children’s Children’s Children pushed the band’s sound as far as it could possibly go. We can’t possibly express how much we love it in a mere two and a half hours, but we sure tried.
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Get jammed by Discord & Rhyme! This week, we spotlight British punk rockers the Jam, specifically their 1979 post-punk opus Setting Sons. John, Rich, Dan, and host Ben unpack Paul Weller's dark subject matter and make the case that it can still result in fun — and even uplifting — music. It doesn't hurt that the band's spare, crackling energy makes even the dourest songs danceable, and that the 20-year-old Weller's worldview — cynical and biting, but somehow still hopeful — transcends the grimy streets of late-1970s England. Join four Yanks (plus one expat in an edifying guest appearance) as we discuss how Paul Weller's message resonates with us — even 40 years later, even Over Here, and even in our decidedly un-punky mid-thirties.
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This week, the Discord and Rhyme crew settle in for a breezy, fast ‘n bulbous chat about one of the most infamously impenetrable albums of the 20th century. Sure, we could have made it easy on ourselves and chosen one of Captain Beefheart’s shorter, more accessible records, but where’s the fun in that? On this episode, Dan guides Mike, Phil, and Rich through Beefheart (and the Magic Band)’s 1969 magnum opus Trout Mask Replica, a double (yes, double) album that, depending on who you ask, is either a hugely influential, groundbreaking masterpiece or completely unlistenable noise. Listen as we discuss the insane story behind how the album was made, list the dozens upon dozens of bands and artists who have scrapped the album’s sound for parts in the decades since, and break down why people who enjoy it aren’t just trying to prove how cool they are.
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It’s Discord & Rhyme’s 25th episode, and we’re celebrating by tackling not one, but two Yes albums (with more in common than they appear to have): The Yes Album from 1971, and Drama from 1980. In this double-length episode, Rich, Phil, and Amanda join forces with Prog John and (making a return appearance) with Washington Post reporter David Weigel, aka Prog Dave, aka The Man Who Wrote The Book On Prog. Yes has one of the craziest histories of any major band from the 1970s onward, marked by a willingness to replace anybody at any time, most notably demonstrated by the time that they responded to the departure of their singer and keyboardist by replacing them with The Buggles, and this episode features a deep dive into the history of Yes and the circumstances that led to one of the least likely lineups ever formed. Join us for a discussion of one of John’s very favorite bands, full of silly sing-alongs, ridiculous listicles of yesteryear, and one of the most scorching hot takes this show will ever produce.
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SURPRISE!!! We just thought we’d drop by, for an episode that’s truly a Discord & Rhyme party out of bounds. This week, Rich turns his watch back to late ‘70s Athens, GA, where you were either a student, a townie, or one of the artsy deadbeats in between. The B-52s fit into that last category, and the quintet had no artistic inspirations — they just sort of alternated between hanging out and crashing people’s parties, until a fateful encounter with a flaming volcano rum drink birthed the band proper. You most likely know the B-52s from their late ‘80s MTV comeback hits “Love Shack” and “Roam,” but we’re delving into their 1980 sophomore album Wild Planet, which captures every side of the band’s unique vibe, as well as how all five members contributed to their signature sound. And we’ve got a B-52s-sized panel for you: Rich is joined by Amanda, Phil, Ben, and special guest Libby Cudmore, who we hope will make a return visit to Discord & Rhyme’s wild planet.
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