031: Brian Eno - Here Come the Warm Jets (1974)
“As a producer, I'm not just saying, Oh, let's get a good bass drum sound. I'm saying, OK, look, this thing you're doing now is hinting at a certain universe of things that I believe are connected.”
—Brian Eno
My, my, my! Brian Eno is the producer’s producer, so it only makes sense that Producer Mike would eventually get around to him. Eno is renowned for producing classic albums for U2 and Talking Heads, pioneering and naming the genre of ambient music, and composing the seven seconds that comforted Windows 95 users as they learned how to use the Start button. Today, Mike guides Dan, John, and Rich through Here Come the Warm Jets, Eno’s 1974 solo debut, released shortly after Roxy Music proved too small to house both his ego and Bryan Ferry’s. Warm Jets was composed and produced piecemeal in the studio, which Eno saw as its own instrument, and the result is a taped-together masterpiece filled with overdubs (one song contains 27 tracks of piano). It can take some time for the noisy blur of Warm Jets to coalesce into identifiable, hummable pieces, but we’re hoping to help ease you into the madness.
Miscellany
As we said in the plugs, in our efforts to help with disaster recovery after Hurricane Dorian, we have a deal for our listeners: If you make a donation of any size to an organization working to help displaced animals, email a confirmation of your donation to discordpod@gmail.com, and in return we will send you a special bonus episode that won’t be available to anyone else. Our own Chris Willie Williams is producing a solo episode on Bill Callahan’s Sometimes I Wish We Were an Eagle, to be released in November to everyone who sends us their confirmations in September and October.
There’s much more going on socioculturally behind “Cindy Tells Me” than “balding UK producer shakes fist at feminism,” but as a panel of four men, we wanted to be cautious about putting our foots in our mouths. Gender roles in the early 1970s were changing so quickly that it caused a lot of general confusion, and for more on the subject, we recommend Peggy Orenstein’s book Flux: Women on Sex, Work, Love, Kids, and Life in a Half-Changed World [Amazon affiliate link].
“Cindy Tells Me” also contains the line “Left the Hotpoints to rust in the kitchenettes.” The Hotpoint was a revolutionary step forward in iron design, with its hottest point at the front and not the center, letting users iron between the buttons (much to the Rolling Stones’ satisfaction).
The 1974 New Musical Express interview with Chrissie Hynde is linked below, but content warning: they discuss Eno’s love of pornography in much greater detail than our episode does.
The show’s opener, with Rich and John getting frustrated as “Thursday Afternoon” plays in the background, was inspired by a terrific 2006 article from the New York Times Magazine, in which the author describes the experience of somebody (not the author) selecting “Thursday Afternoon” (an ambient album consisting of a single track that lasts over an hour) from the jukebox at a bar and seeing how everybody reacted to it. This article is linked below and is absolutely worth reading.
In 1996, Brian Eno gave an interview in which, among other things, he discussed the creation of the Windows 95 startup sound and how it helped him break out of a creative funk. The best part is that he composed the sound on a Mac.
Other links
Chrissie Hynde interviews Eno in 1974 (NME, via The Quietus)
Stylus magazine on “Cindy Tells Me” (Gentry Boeckel, via More Dark Than Shark)
Eno’s “The Studio as Compositional Tool” lecture (Downbeat, via the Hyperreal Music Archive)
"Unhappy Hour" (Wendy McClure, New York Times Magazine)
Q and A With Brian Eno (Joel Selvin, SFGATE)
Discord & Rhyme’s Here Come the Warm Jets playlist (Spotify)
Discord & Rhyme Roll Call
Mike DeFabio (host)
John McFerrin (moderator)
Rich Bunnell
Dan Watkins
Here Come the Warm Jets tracklist
Needles in the Camel’s Eye
The Paw Paw Negro Blowtorch
Baby’s on Fire
Cindy Tells Me
Driving Me Backwards
On Some Faraway Beach
Blank Frank
Dead Finks Don’t Talk
Some of Them Are Old
Here Come the Warm Jets
Other clips used
Brian Eno:
Thursday Afternoon
The Microsoft Sound
King’s Lead Hat
St. Elmo’s Fire
Third Uncle
No One Receiving
The Big Ship
Others:
Roxy Music - Editions of You
Fripp & Eno - The Heavenly Music Corporation
Cannibal Ox - Raspberry Fields
Atmosphere - Homecoming
Bo Diddley - Bo Diddley
Buddy Holly - Not Fade Away
Johnny Otis - Willie and the Hand Jive
The Strangeloves - I Want Candy
The Rolling Stones - Please Go Home
The Who - Magic Bus
The Stooges - 1969
David Bowie - Panic in Detroit
Bruce Springsteen - She’s the One
The Fall - Dice Man
The Clash - Rudie Can’t Fail
Thomas Dolby - Europa and the Pirate Twins
The Smiths - How Soon Is Now?
George Michael - Faith
U2 - Desire
David Bowie - Joe the Lion
The Residents - Seasoned Greetings
Harmonia - Walky-Talky
St. Vincent - Some of Them Are Old
Songs we mentioned but didn’t clip
Brian Eno:
By This River
Others:
Eric Carmen - Hungry Eyes
Spinal Tap - Big Bottom
King Crimson - The Sailor's Tale (live)
David Bowie - Scary Monsters (And Super Creeps!)
Roxy Music - Amazona
The Beatles - I Want You (She's So Heavy)
David Bowie - V-2 Schneider
Talking Heads - The Great Curve
The Beatles - Carry That Weight
The Beach Boys - Let's Go Away for Awhile
Bob Seger - Still the Same
Frankie Valli and the Four Seasons - Big Girls Don't Cry
Roxy Music - In Every Dream Home a Heartache
Roxy Music - A Song for Europe
The Kingsmen - Louie Louie
St. Vincent - Kerosene
John Newton/Traditional - Amazing Grace
The Tornadoes - Telstar
New Order - Ceremony
Devo - S.I.B. (Swelling Itching Brain)
Band/album personnel
Brian Eno – vocals, keyboards, snake guitar, electric larynx, synthesizer, treatments, instrumentation, production, mixing
Chris "Ace" Spedding – guitar on tracks 1 and 2
Phil Manzanera – guitar on tracks 1, 2 and 4
Simon King – percussion on tracks 1, 3, 5 to 7 and 10
Bill MacCormick – bass guitar on tracks 1 and 7
Marty Simon – percussion on tracks 2, 3 and 4
Busta Jones – bass guitar on 2, 4, 6 and 8
Robert Fripp – guitar on 3, 5, and 7
Paul Rudolph – guitar on tracks 3 and 10, bass guitar on tracks 3, 5 and 10
John Wetton – bass guitar on tracks 3 and 5
Nick Judd – keyboards on tracks 4 and 8
Andy Mackay – keyboards on tracks 6 and 9, saxophone septet on track 9
Sweetfeed – backing vocals on tracks 6 and 7
Nick Kool & the Koolaids – keyboards on track 7 (pseudonym invented by Eno to describe his multi-tracking)
Paul Thompson – percussion on track 8
Lloyd Watson – slide guitar on track 9
Chris Thomas – extra bass guitar on track 2, mixing
Derek Chandler – recording engineering
Denny Bridges – mixing engineering
Phil Chapman – mixing engineering
Paul Hardiman – mixing engineering
Arun Chakraverty – mastering
Credits
“Discord & Rhyme (theme),” composed by the Other Leading Brand, contains elements of:
Amon Düül II - Dehypnotized Toothpaste
The Dukes of Stratosphear - What in the World?? ...
Faith No More - Midlife Crisis
Herbie Hancock - Hornets
Kraftwerk - Autobahn
Talking Heads - Seen and Not Seen
Brian Eno - Dead Finks Don’t Talk (this episode only)
You can buy or stream Here Come the Warm Jets and other albums by Brian Eno at the usual suspects such as Spotify, Apple Music, YouTube, and Amazon [affiliate link]. Follow Discord & Rhyme on Twitter @DiscordPod for news, updates, and other random stuff. Follow Rich @zonetrope, John @tarkus1980, and Dan @DanSWatkins. Editing is by Rich, and special thanks to Mike for production. See you next album, and be ever wonderful.