In this episode, Phil takes Discord & Rhyme further down the spiral with an album that is a harrowing descent into one man’s decaying psyche. If that sounds like a blast, you’re in good company with the millions of people who bought Nine Inch Nails’ The Downward Spiral in 1994. It’s one of the bleakest, most pitch-dark albums to ever achieve massive commercial success, and it still sounds great in 2025, owing to the coherence of Trent Reznor’s sonic vision and ingenious production by Flood. Reznor has gone on to become an Oscar-winning soundtrack composer in the decades since this album, but it still stands as one of his signature achievements, and Phil has invited Rich and Mike along to talk about an album that, from top to bottom, sets out to make you hurt. Now doesn’t that make you feel better?

Discord & Rhyme are taking a trip to Canterbury, England - UNESCO World Heritage Site, home of the Canterbury Cathedral, and birthplace of prog-rock legends Caravan. Springing forth from the rich Canterbury scene, Caravan created a style of progressive rock that managed to be complex while retaining a real sense of warmth. The group is not particularly well known outside of progressive rock circles, but Phil has loved them for a long time, and he’s excited to talk about the group’s most famous album, In The Land Of Grey And Pink.

In the early 1970s, Jonathan Richman assembled a band that recorded a groundbreaking set of songs fusing garage-rock sensibilities with his own entirely unique worldview. Unfortunately, before The Modern Lovers managed to complete a proper album, Richman’s musical interests drifted into an entirely different direction, ultimately leading to the dissolution of this version of the band. The collection of recordings that finally saw release as 1976’s The Modern Lovers stands as a snapshot of a band at a specific moment in time and has served as an endless source of inspiration for punk and indie artists ever since. Take a spin past the Stop and Shop and join us with the radio on for a chat about this groundbreaking classic.

Uriah Heep were never critical darlings, but for a brief period in the early seventies, they were making some absolutely killer fantasy-tinged rock. Phil has always had a soft spot for 1972’s Demons And Wizards, which is probably the best example of what could happen when this band was truly firing on all cylinders. He, along with Dan and Mike, makes the case for why this album should be a staple of any respectable early seventies hard rock collection.

Slint are a true one-of-a-kind band - they showed up seemingly out of nowhere, singlehandedly defined an entire genre on a single album, and disappeared before that album was even released. What happened? Why is Spiderland so influential? And, beyond its influence - does the album still hold up today? Phil certainly thinks so - in his opinion, its grandeur has been frequently imitated, but never duplicated. He, along with Mike, Rich, and Dan, are here to talk about just what makes this album so special.

Crosby, Stills & Nash weren’t the first so-called “supergroup,” but they may have been the first to eclipse the fame of each of the bands the members came from. David Crosby (hailing from the Byrds), Stephen Stills (hailing from Buffalo Springfield), and Graham Nash (hailing from the Hollies) came together to create a group that was completely unique. While the group would become more famous with the addition of Neil Young for 1970’s Deja Vu, their 1969 self-titled LP remains the group’s masterpiece. Phil, who has a lifelong love of the works of Crosby, Stills, and Nash, is joined by Amanda and Ben to discuss just what makes their 1969 debut LP such an enduring masterpiece.

Wipe that illegal smile off your face! Phil has been immersed in the music of John Prine for his entire life, and he’s brought along John and Ben to discuss the Maywood, IL, singer/songwriter, who unfortunately was one of the earliest victims of the COVID-19 pandemic. When Prine recorded his 1971 debut, industry execs saw him as a Midwestern rube, to the point of posing him on top of a hay bale on the album cover, even though hay bales are in short supply in the Chicago suburbs. But he’s a witty, intelligent, insightful, and empathetic songwriter with the ability to make listeners laugh and cry in the space of a single line, and his songs have been covered by legends including Johnny Cash and Bonnie Raitt. Prine’s passing led to a surge of interest in his music, to the point where this album charted higher in the spring of 2020 than it ever had in the previous five decades, so if he’s has flown under your radar to this point, this episode is a great opportunity to learn all about a true genius of American folk music.

Phish are a band who tend to inspire extreme reactions. Their particular blend of progressive rock, funk, pop, and extended improvisation has attracted what may be the most dedicated fanbase in the world, but there seems to be a never ending supply of people who use the band as a punchline. Phil falls firmly into the “love them” category - he’s listened to hundreds of shows and counts Phish among his all-time favorite bands. He’s extremely excited to be discussing A Live One - the album that served as the world’s introduction to the sound of live Phish - with Dan and Rich.

Can’s music is part of the DNA of an incredible variety of music - from indie rock, to new wave, to electronica, to ambient, and most points in between. Despite this, Can are not well known outside of music geeks like the Discord and Rhyme crew. They have long been one of Phil’s very favorite bands, though, and he’s here to talk about perhaps the band’s greatest album, 1971’s Tago Mago, along with John and Mike. Together, they’ll demonstrate that while the voyage into the world of Can can be a somewhat difficult trip, it’s a trip very much worth taking.