It’s taken us nearly seven years, but the time has come. Midnight Oil, one of Australia's quintessential bands, is probably best known for its tireless political activism as expressed through hits like "Beds Are Burning" and "Blue Sky Mine," as well as the on-stage acrobatics of their 6′4″ frontman, Peter Garrett. But behind the sloganeering and agitprop, the Oils are a fiendishly creative and charmingly oddball band, and their 1982 Australian breakout album 10, 9, 8, 7, 6, 5, 4, 3, 2, 1, recorded at a make-or-break moment for the group, was when they first really landed on their unmistakable aura. Rich has been an Oils fan literally since he was a teenager, and he’s called in Ben and returning special guest Dave Weigel to deconstruct 10 to 1 and all of the power and the passion that went into these incredible songs. 

Here we go, yo! It's been a while since this podcast has covered either a hip-hop album or a jazz album — so this week, we're doing both at once! A Tribe Called Quest formed in the late ‘80s in the New York City neighborhood of St. Albans, Queens, which was home to some of the giants of jazz, blues, and funk, and was a hotbed of musical activity in the years when hip-hop was simmering into existence. On Tribe’s 1991 album The Low End Theory, members Q-Tip, Phife Dawg, and Ali Shaheed Muhammed pay tribute to this rich musical legacy with an album that charted a new path for hip-hop by exploring its roots in bebop, hard bop, post-bop, all the other bops, and more. This album isn’t just a classic – it’s one of the sacred texts of the hip-hop genre, and it helped Rich get into jazz after years of failed attempts. So if you’re a jazz aficionado who’s on the fence about hip-hop, or vice versa, we invite you to crank up the bass and check the (discord and) rhime with us. Just watch out for the dungeon dragon!

It’s time for a psychedelic podcast extravaganza, five years and two recordings in the making! The album Chips from the Chocolate Fireball by XTC’s alter-egos the Dukes of Stratosphear was supposed to be our fifth episode, but technical difficulties turned the episode into a splendid cream bun. But Rich, Ben, and Mike are finally back for a second round discussing a collection that perhaps isn’t XTC’s definitive artistic achievement, but it’s possibly the most pure fun you can have in their discography. Artistically adrift in the mid-’80s, the band adopted goofy pseudonyms and recorded a loving tribute to the ’60s music of their youth, produced by psychedelic engineering wizard John Leckie. If you enjoy Pink Floyd, the Byrds, the Small Faces, the Kinks, the Yardbirds, and especially the Beatles – which you most likely do, because you’re listening to this podcast – you owe it to yourself to take a bike ride to the moon with the Dukes.

Are you ready to do the Dap Dip? This week, the Discord & Rhyme Super Soul Revue travels back to 2005 to discuss Sharon Jones & the Dap Kings, who play sunny R&B that sounds like it came straight out of the late ‘60s or early ‘70s. But despite the retro sound, there’s nothing retro about this band, who were just playing the music they loved and recording it the way they loved it. And Sharon Jones herself was the real deal, a classic diva who was born in the South literally across the state line from James Brown. The world lost Sharon Jones to cancer in 2016, but her voice lives on in the Dap-Kings’ catalog, which includes six wonderful studio albums and innumerable covers recorded for hire. So put a fish in your dish and join Rich, Mike, and Dan to talk about an album that will make you fall in love with soul all over again.

The New Pornographers winkingly call themselves an “indie rock supergroup,” even though none of their members were performing before crowds larger than 200 when they formed. Since then, they’ve grown into critical darlings with a cult following and an intimidating spread of studio albums and solo releases, but they were never scrappier, hungrier, and more fascinating than on their 2000 debut, Mass Romantic. Buoyed by bandleader Carl “A.C.” Newman’s sturdy pop songwriting, Dan Bejar’s looser, more whimsical compositions, and Neko Case’s superhuman vocals, the album packs six or seven hooks into every song. The results are both exhilarating and exhausting, and that ebullient energy is exactly why Rich has loved them for more than two decades. If you’ve never listened to the New Pornos before but enjoy great pop music, we hope this becomes a new favorite – because, after all, hope grows greener than grass stains.

As luck would have it, two of Discord & Rhyme’s most powerful villains have been turned loose for an episode that will strike terror into the hearts of men! This week, Rich and Mike take on the 2004 hip-hop classic Madvillainy, a team-up between MF DOOM, a rapper with a metal mask and a tragic, comic-book backstory, and Madlib, a DJ with eclectic taste and an unpredictable, artfully imprecise style. The album’s 22 tracks unfold like a fever dream over just 46 minutes, with samples drawn from Bollywood, Brazilian music, Zappa, and Sun Ra crashing headfirst into snippets from old cartoons. And this is all presided over by DOOM, who packs almost unfair amounts of wordplay and meaning into every line. It may seem like chaos at first, but there’s a method to Madvillainy, and it shows how hip-hop can contain the world.

We used to think that the day would never come, but Discord & Rhyme has reached a new milestone: it’s our first singles compilation! New Order issued Substance in an effort to bail out Factory Records, whose financial mismanagement is the stuff of legend. But that also meant that the label was willing to spend money on cool new equipment for the band, which meant that they were always one step ahead of the game technologically, leading an unintentional revolution in electronic dance music. Substance spans the years 1981–1987, during which the band rose from the ashes of Joy Division, issued the groundbreaking 12-inch single “Blue Monday,” and ascended to arena stardom with appearances on major soundtracks such as Pretty in Pink and hits such as “Bizarre Love Triangle” and “True Faith.” They’re one of Rich’s very favorite bands, so join us as he leads Mike and John on the journey from Manchester to Madchester.