R.E.M. spent the decade after Murmur growing steadily more successful, their popularity cresting with the 1991 #1 album Out of Time and its inescapable hit single “Losing My Religion.” But instead of going on an exhausting world tour like most bands would, R.E.M. went right back into the studio and recorded Automatic for the People, an album that defies rock star excess at nearly every turn. You probably know “Everybody Hurts” and “Man on the Moon,” which are still radio standards to this day, and with good reason. But even those songs were much more downcast and introspective than one would expect from a band at the height of their popularity. Automatic for the People is the sound of R.E.M. entering their thirties and taking stock of their place in both music and the world, and though it may take some time to sink in, John, Phil, Rich, and special guest Jeff Blehar all consider it one of their best albums. So join us for part 2 of a band that cannot be contained by one episode, and calluswhenyoutrytowakeherup.

We’ve held off on R.E.M. for a while, because the Athens, Ga., quartet is just such a heavyweight in the rock canon. They’re so huge, in fact, that they merit two episodes: one for the mumbly, Byrdsy alt-rock troubadours of the ‘80s, and one for the slightly less mumbly arena rock titans of the ‘90s and onward. We’re starting off with their 1983 debut Murmur, which fueled the rise of college radio with songs that were strangely out of time (so to speak) with the trends of the ‘80s. The compositions on Murmur are so hazy and oblique that they almost resist analysis, and that’s before you even consider Michael Stipe’s lyrics. But John, Mike, Phil, and Ben are willing to give it their best shot, so join them as they embark on a long-delayed pilgrimage west of the fields to discuss one of this podcast’s favorite bands.

Paul Simon and Art Garfunkel were gifted musicians with a deep and complicated personal relationship, which makes them perfect subjects for a Discord & Rhyme holiday episode. Their magnum opus, Bridge Over Troubled Water, was a huge hit in 1970 and is still as beautiful, innovative, and occasionally silly as it ever was. Ben, Amanda, Rich, and John love this album dearly, and discussing all its strengths and arguing over its few flaws was the perfect way to wind up Discord & Rhyme’s sixth calendar year. Happy holidays, everyone, and may all your relationships be less acrimonious than Simon and Garfunkel’s.