Follow us back to Olde, Olde England for a look at Richard and Linda Thompson’s classic 1974 album I Want To See The Bright Lights Tonight. Actually, 1974 wasn’t that Olde - by that point, the English had been enjoying color TV for eight long years. But Richard Thompson’s songs evoke an England that existed centuries before The Avengers and The Prisoner brightened the airwaves. His is an England of drunkards and scoundrels, of circus performers, of little beggar girls, and of pub singalongs after a hard day of working the fields. With crisp guitar playing and sublime harmonies, Richard and his then-wife Linda wring a timeless resonance out of these archetypes from long ago. Join host Ben, along with Will, Amanda, and Dan, for a discussion about one of our favorite folk-rock albums of the 1970s.
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We tried, we honestly tried to feature XTC as one of Discord & Rhyme’s earliest episodes, but technical issues derailed this podcasting train. Two years later, we’ve rebuilt our reserves of soul coal and dream steam, and Rich is ready to take John, Ben, and Dan aboard The Big Express, a relatively unknown but quintessential album from the Swindon trio. In 1984, the band was newly confined to the studio after eccentric frontman and lead songwriter Andy Partridge permanently swore off touring. Resultantly, the album finds him and bandmates Colin Moulding and Dave Gregory at their most kitchen-sink creative, as well as their most frustrating, which is a fundamental part of the proper XTC experience. So put your cleanest dirty shirt on, shake you donkey up, and get ready for some truly idiosyncratic songcraft.
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Kick off your shoes, take a seat in your comfiest electric chair, and join the Discord & Rhyme crew for a look at Alice Cooper’s 1971 shock-rock classic Killer. In this episode, Dan is joined by Mike, Phil, and Ben to discuss how there is much more to Alice Cooper than the elaborate stage show and persona. In particular, we break down what a great group of players the original Alice Cooper band was and how they managed to craft some of the most fun and exciting hard rock of the early ’70s.
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SCOOBITY WAH! Returning guest Libby Cudmore’s love for Steely Dan is so immense that we needed two albums to contain it. Much like the Oscars, we’re going without a host for our 50th episode, with Libby joining Rich, Mike, and Dan for 2+ hours of free-for-all Dansplaining. We’re specifically focusing on 1973’s Countdown to Ecstasy, where the Dan functioned as a full band under the command of Walter Becker and Donald Fagen, and 1977’s Aja, by which point Becker and Fagen had gone studio-only and ditched the band for a revolving door of experienced session musicians. Aja is a much smoother, “FM radio” album in contrast with Countdown’s breezy “AM radio” rock band vibes, but Becker and Fagen’s musical sensibilities and biting sense of humor made sure the Steely Dan identity remained intact throughout. So grab either a big black cow or a glass of scotch whisky and join us, because this is a really fun one.
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John enjoyed taking part in the episode on Songs in the Key of Life so much that he demanded to host his own Stevie Wonder episode. This week, John leads Ben, Rich, and Phil in a discussion on Innervisions, Stevie’s 1973 masterwork that showed him capable of making music that could not only entertain but also speak to weightier matters of racism, spirituality, and philosophical introspection. Come join us as we admire an album that hits every bit as hard today as it did upon release, and whose presentation of the full range of human emotions suggests that, no matter how terrible things may seem, there’s always cause to have some hope.
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So you like samples, huh? Well, have all the samples in the world! In our Deltron 3030 episode, Producer Mike waxed poetic that hip-hop “can contain the whole world,” and the Beastie Boys tried to do exactly that on Paul’s Boutique. Seeking to level up as artists, the Beasties broke with Def Jam, moved to Los Angeles, and teamed up with producers and seasoned crate-diggers the Dust Brothers. The result is a miasma of light-speed references and samples, with a sonic palette drawing from ‘70s funk, old-school hip-hop, and whatever else the Dusts had lying around. It blew Mike’s mind as a teenager and budding producer, and this week he’s leading Rich, Phil and hip-hop noob John through a true bouillabaisse of an album, and a great hip-hop gateway drug for rock fans. Shake your rum-PAH!
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Far from any road, husband-and-wife duo The Handsome Family create beautiful indie folk/country that uses centuries-old musical traditions as a vehicle to explore, mourn, embrace, or giggle at human nature (and folly) from a perspective all their own. On this episode, Will enlists Amanda, Dan, and Rich to discuss the Handsome Family's sixth and oddest album, Singing Bones. Join us as we examine the way these songs shimmer and simmer, and attempt to determine if that's a result of heat rising from the boiling Albuquerque terrain or because we're listening through the murk of disconsolate ghosts.
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Jethro Tull started their career as a hardcore blues band. Within a few years, they were a hardcore progressive rock band, writing album-long suites of extraordinarily complex music. While both of those eras are interesting, the brief period between the two - where the band had moved away from the blues, but hadn’t yet completely progged out - is some of the best music of its era. Sadly, it doesn’t get discussed nearly enough these days. In this episode, Phil, along with Ben, John, and Mike, get dive into this era with 1969’s Stand Up - a contender for the best album Tull ever released. So - don your codpiece, jump on one leg, and join in the fun as we discuss one of the best (and most overlooked) rock albums of 1969 (along with several contemporary singles that, while not on the album proper, are far too good to ignore).
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Returning guest Dave Weigel lived in England in the late ‘90s, the era of Tony Blair, New Labour, ecstasy, the European Union, and, most importantly of all, the Pet Shop Boys. Neil Tennant and Chris Lowe met in a hi-fi shop in the early ‘80s and went on to make beautiful, quintessentially British dance music together for the next four decades (and counting!). For this episode, Rich leads Dave, Phil, and Will track by track through the duo’s 1996 album Bilingual, where Tennant and Lowe were inspired by a recent tour of Latin America, as well as a rapidly globalizing post-Cold War world. It’s not one of the group’s more celebrated albums, but it’s so, so dense with all of the tight, grandiose, literate popcraft that they do so well.
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In this episode, we dive into the Kinks' 1969 concept album Arthur, or the Decline and Fall of the British Empire, which has long been one of Ben's favorite albums. Arthur tells the fictional life story of Englishman Arthur Morgan, who was born during the glory years of the British Empire, and whose slide into mid-20th-century obsolescence mirrors that of his home country. Sound heavy? It's heavy. But it's also fascinating, and richly musical. Ben leads a discussion that touches on world wars, isolationism, the class system, parenthood - and, of course, some great rock and roll music. He's ably joined by Rich, John, and Mike, who have all waited years to express their opinions on those subjects. Especially British isolationism during the late 1930s. We could yammer on for hours about that.
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