British art rock band Procol Harum is remembered today mainly for its 1967 single, “A Whiter Shade of Pale,” and for almost nothing else. This is a mistake; far from a one-hit wonder, Procol Harum established itself from 1967 to 1974 as one of the more consistently solid album-oriented bands of the era, even as their style shifted from art rock to hard rock and back. In this episode, Prog John makes his triumphant return by leading Rich, Phil, and Mike through a look at a long-time favorite of his, the 1974 album “Exotic Birds and Fruit.” The album saw the band make a conscious turn from an orchestra-centered style towards a style that synthesized its whole past (including its mid-60s R&B roots). Join us we take a journey through a wonderful (mostly) album and a band that does, indeed, go far “Beyond the Pale.”
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You can’t have the funk unless you have the whole funk and nothing but the funk, so Discord & Rhyme is treating you to a second round of P-Funk. This time, Mike rounds out the story by discussing Parliament, who are tighter and much more orderly than the looser, rougher Funkadelic, and feature a truly excellent horn section. Their 1975 masterpiece Mothership Connection officially declared Parliament-Funkadelic as a cohesive, galactic entity, and its space-age soundscapes have massively influenced music since, even spawning the “G-Funk” subgenre of hip-hop most famously associated with Dr. Dre and Snoop Dogg. Even more relevant to this podcast’s very particular tastes — it’s kind of proggy! And if you don’t believe us, read the epigraph above and then join us as soon as you are groovy.
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Do not attempt to adjust your podcast apps. Discord & Rhyme is devoting the whole month of January to the world of George Clinton’s Parliament-Funkadelic, better known as P-Funk. Though P-Funk eventually came to comprise a single, massive collective of musicians releasing records under the names Parliament and Funkadelic, the two sides of P-Funk have different sounds and histories, and in this episode and the next, we’re going to dive in to what makes each one supergroovalistic. We’re starting with Funkadelic, as Phil takes Ben, Dan, and Mike through 1971’s Maggot Brain, a ragged, scuzzy, surreal album that some consider P-Funk’s crowning achievement. And be sure to come back in two weeks, when Mike will be covering Parliament’s masterpiece Mothership Connection, thus completing the P-Funk cosmology.
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Happy holidays from Discord & Rhyme! When we realized our schedule had us releasing an episode on Christmas, we had no choice to but to plan the episode accordingly. Instead of talking about a specific album, we’ve each picked one or two of our favorite holiday songs to share with the class. We really enjoyed sharing all these great songs with each other — and because we are incapable of staying on topic, this episode also covers sketch comedy, the state of Michigan, the correct pronunciation of Ray Davies’ last name, the King’s Quest series, and, of course, the Moody Blues.
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MEAT!!! Chris Willie Williams is the eighth and final Discord & Rhyme host to take the helm — and, ever the prankster and hopeless hipster, he has chosen an album that is out of print. 1991’s Forbidden Places was the major-label debut for Meat Puppets, a critically adored 1980s Phoenix alternative rock band known for its mixture of country and psychedelia, as well as vocalist Curt Kirkwood’s only vague regard for a song’s meter. Forbidden Places was meant to give the Puppets a Traveling Wilburys-style spitshine for the airwaves — then, three months later, Nirvana’s Nevermind came along and changed the face of music. Acknowledging the Puppets as an influence, Kurt Cobain invited Curt and brother Cris to Nirvana’s MTV Unplugged sessions to play on covers of three songs from Meat Puppets II (1983), but by that point, the band’s momentum had been interrupted. So with today’s episode, Will hopes to do justice to a fine, sturdy power pop album that, in an alternate universe, would have made the Kirkwoods & Co. huge.
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American folk music has always been heavily influenced by black musicians, many of whom have been largely forgotten — especially the women. Rhiannon Giddens is aiming to change that by using her phenomenal voice as a spotlight and shining it on the artists that came before her. In this episode, Amanda leads the Discord & Rhyme team through Giddens’ 2015 album Tomorrow Is My Turn, a mix of well-known standards and obscure gems. The album is not only fantastic on its own, but serves as a wonderful starting point for a larger discussion of the music that has come out of American history and the women who helped to shape it.
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Joni Mitchell's fourth album, Blue, is host Ben Marlin’s favorite Joni album and one of his favorite albums of all time. But it's also the Canadian singer-songwriter’s most accessible album, direct and hooky in a way she would rarely allow her music to be, before or since. For that reason, it's probably the best gateway to Joni Mitchell for listeners who aren't familiar with her.
Aside from the catchy melodies, Joni’s lyrics pushed the “confessional singer-songwriter” style further than it had ever gone before. Her songs here are deeply personal, but in a way that is still beautifully universal. Dive into Blue with us and revel in Joni’s unique genius.
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DISCOOOORD AAAAND RHYME! ONE, TWO, THREE, FOUR! This is our shortest, leanest episode to date, and it’s a rush! This podcast isn’t just prog, soul, and synths. We’re also into punk rock, and if it happens to have saxophones, well, that only sweetens the deal. In his first outing as host, Dan leads Rich, Mike, and Will through Germfree Adolescents by X-Ray Spex, a London punk quintet that existed aggressively for about a year before bandleader Poly Styrene started seeing visions of dayglo in the night and decided the life was too much for her. Adolescents’ 12 tracks are loud, colorful, diverse, and hilarious — though have a lyrics site on hand, because the brilliantly shrieky Poly can be nigh-on indecipherable. Germ-Free Adolescents turns 40 in just a couple weeks, and we hope this episode earns it some new fans!
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We’re sorry, Miss Jackson. For nearly two decades, Janet Damita Jo Jackson was one of the world’s most reliable hitmakers, but her reign came to a complete halt after the Super Bowl XXXVIII halftime show and its infamous “wardrobe malfunction.” After a stunning career spent deliberately pushing boundaries, somebody else took it a step too far and she suffered the consequences.
However, her legacy of pop masterpieces and powerful feminism was never forgotten. She kept living her life, putting out terrific albums, and never relinquishing control. Janet may have been less visible for a while there, but she never truly went away - and now that she’s been nominated to the Rock and Roll Hall of Fame for the third time, we’re going to do whatever we can to make sure she gets in, including making sure all our listeners know how excellent Control is. We hope you enjoy this as much as we do.
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Discord & Rhyme is excited to welcome its first guest co-host! David Weigel is a politics reporter for the Washington Post, but more importantly for our nefarious purposes, he is the author of the truly excellent progressive rock history The Show That Never Ends: The Rise and Fall of Prog Rock. But this episode is also a reunion: Dave used to geek out about music with your hosts on the teeny-tiny ‘90s music websites we lovingly called the Web Reviewing Community (WRC). And today, he’s geeking out with us all over again by helping us tear apart Todd Rundgren’s A Wizard, a True Star, track by minute-long track.
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