Discord & Rhyme continues its slow walk through the world of Post-Rock with an examination of the 1996 album Millions Now Living Will Never Die by the Chicago-based group Tortoise. John has been fascinated by the concept of Post-Rock for many years (even if many of the acts associated with it, Tortoise included, rejected it as a useful descriptor), and a large part of this fascination stems from a love he has had for this album for over 20 years. In this episode, John, Mike, Rich, and Dan try to make sense not only of how one should define one of the most ambiguous genres out there, but also of why an instrumental album in that genre (possibly), mostly lacking clear traditional melodies and traditional song structures (the opening “Djed” is 21 minutes by itself), is clearly one of the best albums any of us have ever heard. Regardless of whether Tortoise is Post-Rock, Prog, both, or neither, this is an album worth learning about, and Discord & Rhyme is up to the challenge.
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If you only know Talk Talk for their ‘80s night staple “It’s My Life,” you might well wonder what an experimental weirdo like Mike is doing hosting an episode about them. However, if you know a little more about their strange and fascinating career trajectory, it makes perfect sense. The sparse, atmospheric Spirit of Eden couldn’t be more different from Talk Talk’s synth-pop origins or from anything else in the musical landscape of 1988, and it more or less doomed the band’s career when it came out, but the sound of rock music in the 21st century wouldn’t be the same without it. Listening to Spirit of Eden is an experience that’s almost impossible to relate by means of such quotidian devices as “words,” but Mike, Phil, Rich, and John are all going to try anyway.
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We all know that Elton John is a top-tier singles artist, but he is also a top-tier albums artist. His run of nine albums from Empty Sky in 1969 through Captain Fantastic and the Brown Dirt Cowboy in 1975 may very well be unmatched in modern music history. It was really hard to pick one to talk about on Discord & Rhyme, but we settled on Honky Chateau because it’s the perfect encapsulation of what Elton John and lyricist Bernie Taupin were best at (and worst at). Full of incredible musicianship, amazing singing, stellar arrangements, and awkward lyrics, this is an album that’s almost guaranteed to win over anyone who is still skeptical of Elton John.
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Well, sit right down, my wicked son, and let us tell you a story, about the subject of this year’s Discord & Rhyme holiday episode: the Pixies! (Or technically, just Pixies.) Hailing from Boston, the alternative rock quartet dealt with mounting intra-band tension with little to nothing to show for it financially, leading bandleader Charles Thompson (alias Black Francis) to break up the band via fax in 1991. But the band’s critical stature gradually grew to gigantic proportions in the ‘90s, as their albums influenced bands like Pavement, PJ Harvey, Radiohead, Weezer, and especially Nirvana, who built an entire movement out of the classic Pixies “quiet-loud” formula. When they reunited for a reunion tour in 2004, they found, much to their shock and awe, that their songs had grown into anthems. Their 1989 album Doolittle is arguably the peak of their original run, featuring songs that could plausibly fill an arena without sacrificing their scrappy indie energy, so join Rich, John, and Dan as they sail away on a (festive) wave of mutilation.
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Discord & Rhyme are taking a trip to Canterbury, England - UNESCO World Heritage Site, home of the Canterbury Cathedral, and birthplace of prog-rock legends Caravan. Springing forth from the rich Canterbury scene, Caravan created a style of progressive rock that managed to be complex while retaining a real sense of warmth. The group is not particularly well known outside of progressive rock circles, but Phil has loved them for a long time, and he’s excited to talk about the group’s most famous album, In The Land Of Grey And Pink.
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Discord & Rhyme goes to the movies! This Halloween we're ringing in spooky season by exploring the work of filmmaker and musician John Carpenter. Best known for introducing the world to Michael Myers with the horror classic Halloween, Carpenter has built a solid filmography as a director while also providing his own distinctive musical vision with his scores. The 2017 career-spanning collection Anthology: Movie Themes 1974-1998 features fresh recordings of some of his most recognizable and beloved soundtrack work. Join Dan, Mike, and Rich as they slightly drift from the usual Discord & Rhyme format to indulge their movie nerd obsessions.
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Mike’s ongoing quest to make Discord & Rhyme more metal inevitably meant we would have to tackle the band so synonymous with metal they put it in their name, and Metallica’s incredible mid-80s prime inevitably meant we would need to tackle two of their albums in the same episode. Ride the Lightning of 1984 and Master of Puppets of 1986 are largely the same album in terms of overall flow, but the differences are every bit as important as the similarities, and the best material from these albums ranks among the best rock music (not just metal) ever created. Join with Mike, Phil, and John as they make the case for why Metallica, despite a career with its fair share of ups and downs (and baffling documentaries), should be remembered as one of the greatest bands of its time.
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Here we go, yo! It's been a while since this podcast has covered either a hip-hop album or a jazz album — so this week, we're doing both at once! A Tribe Called Quest formed in the late ‘80s in the New York City neighborhood of St. Albans, Queens, which was home to some of the giants of jazz, blues, and funk, and was a hotbed of musical activity in the years when hip-hop was simmering into existence. On Tribe’s 1991 album The Low End Theory, members Q-Tip, Phife Dawg, and Ali Shaheed Muhammed pay tribute to this rich musical legacy with an album that charted a new path for hip-hop by exploring its roots in bebop, hard bop, post-bop, all the other bops, and more. This album isn’t just a classic – it’s one of the sacred texts of the hip-hop genre, and it helped Rich get into jazz after years of failed attempts. So if you’re a jazz aficionado who’s on the fence about hip-hop, or vice versa, we invite you to crank up the bass and check the (discord and) rhime with us. Just watch out for the dungeon dragon!
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Jeff Beck had shown off his guitar genius with several fiery mid-1960s hit singles by the Yardbirds; he’d even scored some UK top-30 hits as an unlikely singing star. But all that was prologue to Truth, his 1968 solo debut album. Joined by future Rolling Stone Ron Wood and a then-unknown Rod Stewart, Beck laid down a standout batch of electric blues songs - plus a showtune and an olde English folk song to show off his versatility. Truth has always been one of Ben’s favorite albums, and he joins Rich and Dan to talk about it.
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Before they were flattened into part of the public’s collective generic memory of the 1960s, and before an astonishing level of in-fighting and tragedy turned the group’s story into one of the bestVH1: Behind the Music episodes, The Mamas and the Papas released one of the best debut albums of the 1960s. It produced three massive hits you’ve heard hundreds of times a piece if you listen to oldies radio, but it also produced a handful of worthwhile deeper cuts, with interesting songwriting (most of the time) and top-notch singing throughout. John leads a discussion with Amanda, Phil, and Ben about the collection of musicians who created one of his favorite 1960s albums and one of the most jaw-dropping soap-operas of the decade.
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